Preface half A: The Renaissance And Baroque sessions Chp. 1: past due Renaissance Polyphony Chp. 2: Two-Voice Eighteenth Century Counterpoint Chp. three: The Fugue half B: Chromatic concord Chp. four: Borrowed Chords Chp. five: Neapolitan sixth Chords Chp. 6: Augmented sixth Chords half C: The Classical interval (1750-1825) Chp. 7: version procedure Chp. eight: Sonata shape Chp. nine: Rondo types half D: prolonged And Chromatic concord Chp. 10: 9th,11th, and thirteenth Chords Chp. eleven: Altered Dominants Chp. 12: Chromatic Mediants half E: The 19th And 20th Centuries Chp. thirteen: The Romantic interval (1825-1900) Chp. 14: The Post-Romantic Impressionistic, and comparable kinds Chp. 15: The modern interval (1910-1945) Chp. sixteen: Twelve-Tone procedure Postlude: song on account that 1945 Appendixes thesaurus Index
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