By Edward Bond, Ian Stuart
From his emergence as a tender author at London's Royal court docket Theatre to being hailed as "the maximum dwelling English playwright" (The Independent), this primary quantity of the notebooks of Edward Bond finds the brain in the back of probably the most provoc
Exploring the assembly aspect among politics and the paintings of the author, Bond's notes provide an extraordinary perception into one of many theatre's ultimate thinkers while charting the inventive growth of his paintings among 1959 and 1980. in addition to offering an in depth observation on his performs, the notebooks additionally include early play drafts, poems and tales, his innovations on existence, artwork, Brecht, dramatic process and censorship.
"1 August 1965: i might do virtually whatever to avoid my play [Saved] being banned other than adjust one comma on the request of the Lord Chamberlain."
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