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In this up-to-date and prolonged variation of The Greek experience of Theatre, student and practitioner J.Michael Walton revises and expands his visible method of the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the outdated and new comedies of Aristophanes and Menander, he argues that whereas Greek drama is obvious now as a performance-based instead of a strictly literary medium, extra cognizance should be paid to the character of level snapshot and masked appearing as a part of this conception.

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